Flamboyant, daring, provocative, exciting, seductive and sensitive are some of the words used to describe one of today’s most formidable pianists, Kemal Gekic, whose playing has been acclaimed worldwide by public and critics alike. His daring approach to tone and form, marked him as a maverick in the musical world, a distinction he welcomes: the very strength of his artistry challenges, provokes, intrigues. “Gekic rides the charismatic edge of genious” R. Dyer, Boston Globe “He is something like a general who has learned all the rules in the book and is therefore free to ignore them in the time of war” James Roos, Miami Herald “His playing is transcendental as well as incandescent” John Ardoin, Dallas Morning News Performing worldwide from a vast repertoire, Kemal Gekic presents fascinating, uncompromising and ever-changing interpretations , always generating frenzied audience enthusiasm. As a recording artist, Kemal Gekic has won accolades in Europe, America and Japan for insightful, original views of the music. His outstanding Rossini-Liszt transcriptions (Naxos) won “The Rosette” of The Penguin Guide for Music, while his recording of Liszt’s Transcendental Etudes (JVC) is generally considered to be the best recording of a set in history. Born is Split, Croatia, Kemal Gekic got his early training from Prof. Lorenza Baturina. He graduated the class of Prof.Jokuthon Mihailovic at the Art Academy of Novi Sad and was immediately given a faculty appointment by the piano department which he eventually directed until 1999. Since 1999 he has been Artist in Residence at the Florida International University in Miami, Florida.
Part 9 and the series wrap up. Kemal points out how much the actual performance and playing for audience matters.
Part 8, more on dynamic levels, articulation and voicing.
As we progress throughout the etude, we get to talk about sound levels
We are talking about the main two themes, artistic freedom and getting down to the nitty gritty of this etude.
Metric, dynamic contrasts, a bit more on Liszt and how he composed..all that in part 5
Digging deeper into the score, main themes, the opening
A lesson given a few years back in Novi Sad, Serbia. Mini series in a few parts
We are digging in a bit deeper into the score in this Part 3
Kemal working with a student on two musical moments
Liszt Etude - Bach Prelude and Fugue, that is the pattern