| Title | Description | Teacher | Freebie? |
|---|---|---|---|
| Addicted to the Sense of Being in Balance | Where is the keystone of the arch? Second MCP or the wrist? | Alan Fraser | |
| The Hand is a Bipartite Structure | Fingers/thumb and the wrist | Alan Fraser | |
| Lesson II-10-Kiddie Craft | Handy Harry and Rex Wrist | Alan Fraser | |
| Why The Less Flexible Wrist | You stop moving the wrist and music acquires this static quality | Alan Fraser | |
| The Wrist Movement for Debussy | Alan shows a wrist movement totally opposite from what you would expect | Alan Fraser | |
| Functional Wrist and Thumb for Better Scales | Stable wrist, rotation and functional thumb are prerequisites for healthy scales | Alan Fraser | |
| Elastic Placement for Better Scales | Overholding, springy wrist and elasticity | Alan Fraser | |
| Elastic Release for Brilliance and Ease | Structured hand is not a stiff hand if it's elastically created | Alan Fraser | |
| Strengthen the Index Finger and the Thumb | Asked by: adrienschmit.. | Alan Fraser | |
| Rotation and Stretchy Passages | Alan talks about rotation via Liszt's La campanella | Alan Fraser | |
| Beethoven Sonata Op. 57 1st Mvt - Appassionata Part 2 | Part 2 - Appassionata with Alan. More on hand structure and piano walking among ot.. | Alan Fraser | |
| Beethoven Sonata Op. 57 1st Mvt - Appassionata | Alan is helping Jordan empowering her playing. A really good example of Alan's tea.. | Alan Fraser |