Alan is attempting to not only avoid the injury but actually heal his shoulder by approaching this segment properly
In other words, really dissect the score and learn it in a way that cultivates healing of Alan's injury
Series wrapup. And we also talk about that magic in sound that means a difference
We are talking about the structure and Kemal points out that everything played must really sound well
We are moving through the piece and talking about the sound differentation, layers
We are talking about dynamics and some interesting effects one should do when playing this waltz
Kemal talks about meter and how elastic it can be in Liszt's compositions.
The piece has its own life and dynamic. A performer needs to be well aware of those
Stefan performs for Kemal and they start working on the piece, trying to understand what it is about.
Alan and Jan dig deeper into the waltz and talk about elasticity, structure, Mephisto's character.
via Liszt's Mephisto Waltz No. 3, Alan talks about long term structures in music and planning