Alan covers a few important concepts in this short episode such as paying attention to everything in the score
Weighted touch reduces melodic flexibility and orchestral sound
Working on a specific touch that works for entire etude
And as it drops the hipjoint rises
The initial point of touch, fingertip and the key
Overly expressive playing vs. this flux of up and down we have been talking about
Feel the string vibration
Book II, Prelude No. 8
We are exploring that touch and that feeling of 'tunneling the keys' in order to get the sound we want
Alan answers a question on overpressing
In a moving way..the propper way to touch the piano
On touch and joining via Chopin
Alan talks about bold melodic siging or
Alan discusses voicing, figuration, melodic lines and shaping in e minor Chopin's Nocturne
Asked by: 57walker
