| Title | Description | Teacher | Freebie? |
|---|---|---|---|
| Is Weighted Touch Good for You | Weighted touch reduces melodic flexibility and orchestral sound | Alan Fraser | |
| Chopin-Etude in E Major Op 10 No 3 | Working on a specific touch that works for entire etude | Alan Fraser | |
| Fingertip Dropping into the Key | And as it drops the hipjoint rises | Alan Fraser | |
| The Interchange Between Sound and the Feelings | The initial point of touch, fingertip and the key | Alan Fraser | |
| There Should Be No Struggle With the Keys | Overly expressive playing vs. this flux of up and down we have been talking about | Alan Fraser | |
| Articulate Through the Sheen of the Pedal | Feel the string vibration | Alan Fraser | |
| Ondine - The Grammar of Touch | Book II, Prelude No. 8 | Alan Fraser | |
| The World of Berceuse | We are exploring that touch and that feeling of 'tunneling the keys' in order to g.. | Alan Fraser | |
| Overpressing | Alan answers a question on overpressing | Alan Fraser | |
| Shake Hands with The Piano | In a moving way..the propper way to touch the piano | Alan Fraser | |
| Skeletal Touch | On touch and joining via Chopin | Alan Fraser | |
| Expressive Sonority | Alan talks about bold melodic siging or | Alan Fraser | |
| How to Play a Nocturne Part 1 | Alan discusses voicing, figuration, melodic lines and shaping in e minor Chopin's .. | Alan Fraser | |
| Playing on the Weight of the Hammer | Asked by: 57walker | Alan Fraser |