Lessons tagged with 'Sound'

Title Description Teacher Freebie?
Slowing Down the Keys and Making Big Sound A special technique for not only more articulate playing but really healthy sound .. Alan Fraser
Magical Moments that Matter Series wrapup. And we also talk about that magic in sound that means a difference Kemal Gekic
More Vibrant Sound And the hand organisation that allows it Alan Fraser
It Needs to Sound No matter what you think about the music or the score, it really needs to sound/re.. Kemal Gekic
Feel the Melody Pulsing Asked by: ingela Alan Fraser
Rich and Powerful Sound With Arm Weight Technique Alan explains the real mechanics behind the arm weight technique Alan Fraser
No Strain in Your Sound White muscles at work and cultivating this kind of sound Alan Fraser
The Interchange Between Sound and the Feelings The initial point of touch, fingertip and the key Alan Fraser
Feel the Vibration of the Key Expression arises out of physical relationship with the piano Alan Fraser
Stay Supinated and Elasticised We are working on left hand arpeggios Alan Fraser
Massive Sound in Liszt without Banging Liszt-WIlde Jagt-Transcendental Etude Alan Fraser
Free
The Whole Structure of the Piece We are talking about the structure and Kemal points out that everything played mus.. Kemal Gekic
Is Over Relaxtion Limiting Your Sound Structured vs relaxed hand and the sound we get (bone connections Alan Fraser
Good Rhythm Makes Everything Sound Alive Go to the hypermeasure without losing any of the subordinate rhythmic patterns Alan Fraser
Mystery Hidden in the Layers of Sound We are moving through the piece and talking about the sound differentation, layers Kemal Gekic
The First Fundamental Requirement - Good Sound Alan talks about the beginning of his work with Kemal Alan Fraser
Ondine - The Grammar of Touch Book II, Prelude No. 8 Alan Fraser
Balancing All the Down Forces with up Forces Perceiving more "up" than "down" Alan Fraser
How to Get a Loud Sound Without Banging The Piano By going up instead of down Alan Fraser
Getting All the Colors We Need out of the Piano No weight of the arm interfering with "dancing" with the notes Alan Fraser
How to get Big Sound at the Piano Working with the keys, not against them and making the strings vibrate the right w.. Alan Fraser
Free
Interesting Harmonies We are covering dolce appassionato and presto sections and talking about the chara.. Kemal Gekic
Walking Forwards vs Walking on the Spot Asked by: markeog Alan Fraser
The Arch of the Hand is Always Elastically Loaded Extreme Voicing opens up he sound of the piano, and the arch should be elastic Alan Fraser
If We Grasp We Instantly Have the Arch Structure of the Hand Use the arch and nullify the uglu down forces and get the healty tone Alan Fraser
The Fingers are a Delivery System for the Wisdom of the Palm Intimate contact with the keys, playing with the palm Alan Fraser
Freely Floating Sound and Arm Weight Alan shows how to get that rich full sound out of the piano Alan Fraser
Exploring the Emotional World Alan and Luba are looking into very deep emotions, feeling of despondency in the m.. Alan Fraser
The World of Berceuse We are exploring that touch and that feeling of 'tunneling the keys' in order to g.. Alan Fraser
Why The Less Flexible Wrist You stop moving the wrist and music acquires this static quality Alan Fraser
Sense of a Buzzing Color Alan wants to hear all the voices and brings out more peculiarities of Debussy's c.. Alan Fraser
Always Feel the Underlying Current of Sadness We are beginning our journey into decoding Schumann Alan Fraser
Asserting the Sound - Moving Before the Key Moves The difference between solidifying the structure/internal movement and the sound w.. Alan Fraser
Internalizing Musical Intention Today we are talking about inner organization of the hand in order to archive a sp.. Alan Fraser
The Wrist Movement for Debussy Alan shows a wrist movement totally opposite from what you would expect Alan Fraser
Suggestion-Accents-Non-Accents Kemal is looking for a specific dirty sound and explains the difference between ac.. Kemal Gekic
Getting That Debussy Sound We are trying to understand and decipher that specific sound Alan Fraser
The Balance of the Down and Up Forces Alan explains how to balance out the sound, soundboard and Horowitz Alan Fraser
Liszt-Liebestraum in A Flat Major - The Thumb Part 1 Another recent lesson with a focus on the thumb, orchestration and sound Alan Fraser
How Do We Apply All This in Music We are talking about phrasing, sound, horizontal playing.. Alan Fraser
Rachmaninov-Prelude in G minor Valuable info on orchestration, sound, performance... Alan Fraser
Free
Liszt-Wilde Jagd Part 3 Alan is heloing Remon get a great sound and become one with the piano Alan Fraser
Piano Walking and the Young Pianists Alan works with a young student and explains the propper technique Alan Fraser
Drop and Stand Functional standing that gives us the quality tone Alan Fraser
Making the Piano Sound Exceptional Hand's structure and function and how does that relate to the sound Alan Fraser
What Makes the Sound Louder Asked by: hadarmo2 Alan Fraser
Quality Tone - Fingers and Arms Asked by: markeog Alan Fraser
Elastic Hand - Playing From Within The Key Melt your hand into the piano and get alive sound Alan Fraser
Chopin - Nocturne Op 48 No 1 Entire, unedited lesson on Chopin's Nocturne Alan Fraser
Musical Aesthetics and Technique Part 2 Part 2 and a small q&a session Alan Fraser
Proactive Hand We talk about the arch, the thumb, standing up and proactive hand Alan Fraser
Alive Sound Alan talks about the arch, arm weight, how to make sound alive Alan Fraser