| Title | Description | Teacher | Freebie? |
|---|---|---|---|
| Real Debussy-Strange Combination of Static and Moving | Exploration of the sound is incredibly important piece of the puzzle. | Alan Fraser | |
| Articulate Through the Sheen of the Pedal | Feel the string vibration | Alan Fraser | |
| Ondine - The Grammar of Touch | Book II, Prelude No. 8 | Alan Fraser | |
| Why The Less Flexible Wrist | You stop moving the wrist and music acquires this static quality | Alan Fraser | |
| Sense of a Buzzing Color | Alan wants to hear all the voices and brings out more peculiarities of Debussy's c.. | Alan Fraser | |
| The Wrist Movement for Debussy | Alan shows a wrist movement totally opposite from what you would expect | Alan Fraser | |
| Getting That Debussy Sound | We are trying to understand and decipher that specific sound | Alan Fraser | |
| Understanding Debussy | Alan helps Luba get into this piece | Alan Fraser | |
| Debussy - Clair de lune Part 2 | Part 2, standing and supporting the structucure, another great lesson from Alan | Alan Fraser | |
| Debussy - Clair de lune Part 1 | Nick's interesting performance and Alan is working on sound and orchestration | Alan Fraser | |
| Debussy and Skeletal Piano Technique | Not really a lesson on Debussy but rather lots of info on hand structure | Alan Fraser |