Alan talks about antigravity function, how to use it and get that springy, pure quality tone
Intimate contact with the keys, playing with the palm
Use the arch and nullify the uglu down forces and get the healty tone
Extreme Voicing opens up he sound of the piano, and the arch should be elastic
One fundamental error in how we understand human locomotion was that it's all done with muscle contraction
What allows us to produce tones that have musical value and no agression in them?
Wrap up lecture in anti gravity series