Stefan performs for Kemal and they start working on the piece, trying to understand what it is about.
access_time14 minutes 23 seconds
The piece has its own life and dynamic. A performer needs to be well aware of those
access_time5 minutes 25 seconds
Kemal is looking for a specific dirty sound and explains the difference between accents and non accents
access_time5 minutes 45 seconds
Kemal talks about meter and how elastic it can be in Liszt's compositions.
access_time5 minutes 26 seconds
We are talking about dynamics and some interesting effects one should do when playing this waltz
access_time6 minutes 16 seconds
You can play all the notes but the "atmosphere" has to be there
access_time7 minutes 41 seconds
We are covering dolce appassionato and presto sections and talking about the character, harmonies..
access_time6 minutes 44 seconds
We are moving through the piece and talking about the sound differentation, layers
access_time6 minutes 11 seconds
We are talking about the structure and Kemal points out that everything played must really sound well
access_time7 minutes 14 seconds
The sound we are looking for here is more raw
access_time7 minutes 37 seconds
No matter what you think about the music or the score, it really needs to sound/resonate/vibrate..
access_time4 minutes 39 seconds