| Timestamp | Lesson | Submitted by |
|---|---|---|
| the more soft you play the more structure you need | Grieg - lyric pieces - op.71 no.3 "puck" | Mario2016 |
| the fingers are levers | Grieg - lyric pieces - op.71 no.3 "puck" | Mario2016 |
| stand up fully | Bring your hand arch to life | Mario2016 |
| Feldenkrais Methode | A singing line is achieved when the arm joints notes | Mario2016 |
| it's not tense, it's not relax, it's engage | The wisdom of the skeleton is what allows you to move well | Mario2016 |
| skeletally aware engagement of the muscles | The wisdom of the skeleton is what allows you to move well | Mario2016 |
| bones transmit kinetic energy | The real power muscles of the hand | Mario2016 |
| Tai chi walking | Maintain the standing function of the hand | Mario2016 |
| Polyphony | Maintain the standing function of the hand | Mario2016 |
| The gravity gathers around under the feet and lifts. | What is the Function | Daniel |
| Stiffness stops the skeleton from behaving like a kinematic chain. | Feel The Weight of Your Arm | Daniel |
| The Tai Chi empty step in polyphonic passages | How Can We be Elegant in Managing the Anti Gravity Function | Daniel |
| Coordinate Motion & Shear Factor | Flexors, Extensors, Interossei and the Bigger Picture | Daniel |
| Rotation is present in every note | Thinking in Terms of Functional Structure | Daniel |
| Stretching and dual muscular pull | Taubman Rotation | Daniel |
